I’m going to share a hot off the press story with you here. Then we can look at how to apply the principles in it to your life.
I just finished recording my sixth singer-songwriter album. It’s called The Great Something.
While the previous five albums all reveal a musician growing in confidence and ability, each one better than the last, this latest one broke all boundaries.
The songs are better than ever.
The singing is hands down the best ever.
The music is stellar, going from swing to ballad to rock to (as my drummer put it) “improvised symphony of genius.”
Why is this album so much better than all the others?
I used everything I teach about self-help, goal-setting, and manifestation to create this album; from setting a clear intention to gathering my band of legends, to taking action on the ideas and opportunities that arose as I moved toward the recording date.
While all these elements are part of what make The Law of Attraction work in your favor, clearly the biggest turning point for me was attracting my private two-hour songwriting lesson with rock icon Melissa Etheridge.
I’ve already written four blog posts about my time with her. (See PS below for links to those “Attracting Melissa Etheridge” articles.) I won’t repeat myself (much) here, but I openly declare that my time with Melissa deeply influenced this entire album.
In fact, I’ve dedicated it to her.
Let me explain:
First, I used some of her music dynamics to create new songs.
The song “Melissa Said” is, as my producer called it, “The greatest thank you card of all time.” It’s an original song I wrote for Melissa, using some of the arrangements she shared with me about making music. My band got goose bumps listening to my homage to Melissa. It is stellar. It is three minutes of gratitude. (Wait till Melissa hears it!)
Second, the title track song was directly influenced by my time with Melissa.
While Melissa was too wise to tell me what to do, her feedback helped me learn lessons for myself. It was the Socratic method. Socrates didn’t give you the answer. He helped you think of it on your own. Being with Melissa helped me realize the title track song (and the album) needed to be called The Great Something, my phrase for God or the Divine. (It was originally going to be called The Miracle.) That insight redirected the entire album.
Third, and more importantly, Melissa urged me to write from the first person.
“The Great Something,” the title track song, is raw. It’s from my view of life, my hard times, and my discovery of The Great Something. The band was blown away with the power and depth of it. It is riveting. It is revealing. That is a direct result of taking to heart what Melissa told me about writing in the first person.
Fourth, when I was with Melissa, I shared the opening lines of a song that had come to me in my sleep.
Melissa liked what she heard. Because of that, I felt encouraged to complete the song. I did. It is the most hauntingly beautiful thing I’ve ever penned. It’s called “Hey You,” and it’s designed to heal any hurting heart. Guitar Monk Mathew Dixon added his sweet guitar on it and it is deliciously healing.
Fifth, Melissa taught me to feel my message when I sang.
As a result, my singing on a singer-songwriter ballad I wrote was, as my producer called it, “Sinatra-est.” It was probably the highest compliment he could give me. My voice compared even remotely to Frank Sinatra’s was enough to make me speechless. I just followed what Melissa taught me and felt the song as I sang it.
Obviously, I absorbed Melissa’s wisdom and vibe and infused it into this new album.
But we aren’t done with the album yet.
I’m hoping to have Grammy nominated saxophone great Mindi Abair add her happy sax to my “Glad Game” swing song.
I’m hoping Grammy nominated singer Ruthie Foster will add her soaring vocals to the spiritual I wrote called “Look for the Light.”
And I’m hoping Melissa Etheridge will add voice or guitar to any track.
I have big dreams for this new album. As Daniel Barrett, producer (and coauthor of the book, The Remembering Process) told me, “You can’t think average thoughts and expect extraordinary results.”
So, I’m thinking BIG.
This post isn’t about getting you to buy my new album. It isn’t completed yet, let alone ready for sale.
Instead, I’m sharing all of this with you to demonstrate how the Law of Attraction, magic, and miracles work.
Here’s a quick recap:
I’m sure you can do this, too.
You have a dream, don’t you?
You could set an intention for it, gather allies, and start to move toward it, right?
Are there any real excuses or limitations for doing what you really want to do, if you really want to do it?
Isn’t today a good day to begin?
The Great Something says YES!
PS – Here are the links to my four blog posts about my songwriting lesson with rock icon Melissa Etheridge:
Note: In case you are curious, samples of my five singer-songwriter albums are here: http://www.cdbaby.com/Artist/JoeVitale1
Happy New Year!
Today is January 1, 2017.
Whether you used the Law of Attraction — or some goal-setting or self-help method — to make your 2016 great, you got through it.
We both made it here so we should stand up and do a happy dance.
I’ll pause while you do it…
And now to the million-dollar questions –
What are you going to do differently in 2017 to make it outstanding?
How will you make 2017 breathtaking and full of success?
What do you want to have, do, or be in this New Year?
Whatever you did in 2016 brought you to this moment.
Are you happy with your results?
Did you achieve all you wanted?
And that’s okay.
After all, as Robert Browning asked, “Ah, but a man’s reach should exceed his grasp, or what’s a heaven for?”
If you want to achieve noteworthy success in 2017, I have three suggestions:
Achieving a fantastic 2017 is like planning a cross-country road trip:
Making the New Year spectacular is like planning a meal with friends:
Now apply this simple formula to 2017:
Here’s wishing you a glorious and unforgettably wonderful New Year!
I never intended to write a four part series about my private songwriting lesson with legendary singer-songwriter-guitarist Melissa Etheridge, but here we are.
I got so much out of my two hours with the rock icon last month that I’m still reflecting on it all.
In fact, friends claim that I mention Melissa in some way or other every fifteen minutes.
They’ve timed me. 🙂
One more session with her and I’ll be writing an entire book about all I’ve learned.
Anyway, in this episode I want to share what she taught me about singing, performing and becoming an overnight success.
Before we go there, I have to share a funny moment I had with her.
After Melissa showed me her book collection, guitar collection, and jigsaw puzzle she was working on, she walked me to a piano that her manager had given to her.
She played a few notes and asked me if I played.
“No,” I said. “I wanted a guitar when I was a kid. My father heard me and bought me an accordion. He didn’t want to hear rock, he wanted to hear polkas.”
“Parents!” Melissa said.
And from there we went into her home studio.
In my previous blog posts I shared what she taught me about writing songs. Her insights were revealing and inspiring. (See PS at end of this post for links.)
I told Melissa that one of the biggest fascinations for me was her singing.
I still remember her solo acoustic gig on Unplugged TV back in 1995.*
It shook me to the core.
Her explosive performance sent out ripples through time, and are still hitting my nerve endings today.
I want to sing like that, I thought. And I told Melissa so.
Of course, she asked me to sing for her.
And I (gulp) did.
It was actually easy to perform for her because she was entirely nonjudgmental.
She was patient, present, and eager.
But I was a nervous schoolboy compared to the powerhouse singing that Melissa does naturally.
So I asked her for any tips she could give me.
She told me about watching Ed Sullivan’s TV show and seeing house rockers, like Janice Joplin and Tom Jones.
“It was their joy in taking a song and belting it out,” Melissa explained. “Barbara Streisand, Johnny Mathis, Neil Diamond. I watched them perform. I always went with my feeling. I wanted to stand up and you know, SING.”
She went on to talk about where the power of a stirring performer comes from.
“Robert Plant’s singing like Janice Joplin,” Melissa said. “Janice Joplin’s singing like Memphis Minnie and Betsy Smith, and she’s singing like a black woman. All this rock and roll, and this popular music, comes from the slave era. It comes from this pain of I’m going to overcome this.”
“It comes from this pain of I’m going to overcome this.”
At this point Melissa pointed out that she heard a limiting belief in me.
She said that I thought I was too old to perform music and rock the world.
She reminded me that many people start entire new careers in their seventies. (I turn 63 today.)
“There’s an infinite stream of energy that can become whatever we want,” she told me. “And it’s up to us and the story we tell inside.
“So you’ve gotta believe it first,” she stressed. “You’ve gotta believe it first.”
I started to understand that much of Melissa’s on stage power comes from a decision.
She consciously intends to be electrifying.
“You’re gonna draw up this power, and you’re going to project it,” she said. “And be willing to let that energy come through you. I have an agreement, and I made it a long time ago, with the Universe, that I would be a conduit.”
Melissa explained that we are all energy and we project a vibrational field.
“It’s possible to gather this energy and let it go through us,” she continued. “But to do that, we’ve gotta have a clean channel. If you ever hear of anybody touring that lost their voice, it’s because they’re eating late at night, they’re doing all this stuff that’s going to come up and burn their voice.”
She went on to focus on the songs.
“What material are you working with?” she asked. “Are you singing, tonight I feel so weak. Then act what you are getting across. Be present for what you’re singing. If you’re singing a slow song, everybody’s got a hunger, then think about it, live it, have it be alive in you when you’re singing it.”
Melissa then focused on my new song, the one we were working on together, and a line from it.
“If you are singing, I’ve got a message from the Great Something, and I found it through my struggles and strifes, then put that intention in you as you’re singing. Think, I want to tell this story, and I want you to be moved by it because I want you to know the joy I’m having.”
Melissa explained that she first started singing when she was ten years old. She was in choirs in churches. The teacher would put her in the back because “I had such a weird voice.”
Weird voice? Melissa??
“In sixth grade I wrote a song, a protest song,” she continued. “And I sang that in a talent show that became a variety show around my hometown. We played at old folks’ homes, schools and prisons. And so I slowly started singing for people.
“I got in a band when I was in junior high, like eighth grade,” she continued. “A professional band that had grown guys and me. And we would have gigs on the weekends, at the officer’s club and these places. And so I sang other people’s songs. And that really helped me.”
At this point Melissa is explaining her decades of singing experience, and singing snippets to me as she continues.
You have to imagine my delight in being in her studio and witnessing this.
“First I sang Tammy Wynette, Sometimes it’s hard to be a woman, and then Stand by your man. I learned to sing from your gut; to when you start with the energy, when you get up, I’m singing from here, and then I would sing the guy’s songs.
“I would sing Roberta Flack. I remember the first time, ever I saw your face is the song, but it was the first time that I sang a song in my band, where usually people are dancing and talking and they’re not paying any attention to the band, we’re just there for their pleasure, that actually people would stop, look at me and then applaud.
“And then I realized that oh, a song grows. I’m telling a story. And I would captivate, I would see people paying attention and want to take that energy and keep it. So I had years and years and years and years and more years of singing in front of people.
That’s often what it takes to succeed:
Years, and years, and years, and years and more years.
“When I finally got out to California, I played for five years in the bars, with drunk people,” she continued. “When I finally got my record deal at the end of the 80’s, I would have 100 people in the bar that came to hear me and liked my original songs.”
Melissa summed up her story by saying, “You just get on the path, you just do it, and that’s your intention, and then you let The Great Something bring you the stuff.”
“You just get on the path, you just do it, and that’s your intention, and then you let The Great Something bring you the stuff.” – Melissa Etheridge
I was in awe of all the lifetime experience it took Melissa to get noticed, get a deal, and explode on the scene.
As with virtually every “overnight success” (including my own, as an author), it actually didn’t happen overnight.
Once again, I could continue with all I learned from this loving legend of rock.
But right now I have a new album to record.
I’m dedicating my new album to Melissa.
There may even be a song on it called “Melissa Said,” which will be a tribute to her. I’m currently drafting it using, of course, everything I’ve learned from her. I am forever grateful to her, and want her to know it.
I’m obviously still on fire from sitting with Melissa, so somebody bring me some water!
PS – Here are links to my previous posts about my private lesson with Melissa Etheridge:
Note: In case you are curious, samples of my five singer-songwriter albums are here:
* Brace yourself. Watch Melissa Etheridge on Unplugged TV 1995 here:
When it comes to using the Law of Attraction to manifest a miracle, or to attract anything you’ve been wanting, a few key principles are essential.
I explain this in-depth in my forthcoming new book, The Miracle: Six Steps to Enlightenment, which launches December 6 as a paperback, Kindle e-book, and on audio.
A few of the keys are –
You get what you expect. Expectation is built on belief.
Your beliefs filter reality so you only see what matches your beliefs.
Your actions will stem from your beliefs and expectations.
In short –
If you don’t act, you reduce your chances to create anything.
If you don’t believe, you won’t even try.
If you don’t expect, you will attract a match to your lack of belief.
You can use these insights on anything you want to attract or achieve.
Want a better job?
Want to attract your soulmate?
Want enlightenment or spiritual awakening?
Ask yourself –
Do you believe it’s possible?
Do you expect to succeed?
Are you taking inspired action to attract it?
If you answered “yes” to all the questions, then go forth and congrats on your new job, soulmate, or awakening.
But if you answered “no” to any of the questions, then you have some inner work to do.
And that’s where my new book The Miracle will help you.
It’s packed with processes, exercises, stories, tips, techniques, principles and more.
It covers everything from the basics to advanced law of attraction, mind power, activating your brain, goals, clearing, intentions, counter-intentions, beginning and advanced ho’oponopono, Neville manifestation, the secret prayer, and so much more.
You will also get more than $5,000 worth of bonuses when you go get The Miracle from Amazon on Tuesday, December 6, 2016.
One of the gifts is my brand new online video training called “A Beginner’s Guide to Miracles.”
I am very excited as this is my most definitive book on how to attract what you want and achieve spiritual enlightenment along the way.
Bestselling author Susan Shumsky said, “In The Miracle, Joe helps us unearth the cause behind our deepest unconscious beliefs and shows us how to transform them…He helps us create and live miracles every day.”
You can learn more at http://www.TheMiracleBook.info
Meanwhile, Expect Miracles!
PS – Mark your calendar. Everything happens on Tuesday, December 6, 2016. See http://www.TheMiracleBook.info for details.
Whenever I want to improve in any area, I get a coach.
I know this to be so powerful, that it’s the reason I created my own Miracles Coaching program almost a decade ago. I had learned that whenever I got a coach, my skills accelerated.
When I wanted to get healthier, I went and studied directly with Bill Phillips, the legendary fitness guru behind the Body-for-Life movement. I received five honorable mentions for my success way back in 2004-2005. I received three medals for my transformation a few years ago, too, one of them presented to me by Bill Phillips himself. (!)
When I wanted to learn how to play the saxophone, I studied with Grammy nominated legend Mindi Abair. We turned my fanship into a friendship. And I went on to play sax on several of my songs, and even created an entire album of my own baritone saxophone music. (!)
When I was interested in bodybuilding, I went and studied in person with a great winner, Frank Zane. While that was more than ten years ago, I still call up in memory what I learned in person from Frank and apply it today – over 10 years later. (!)
When I wanted to dramatically improve my skills as a musician, I went and studied in the home of rock legend Melissa Etheridge. That coaching experience transformed my life. I began to apply what I learned directly from Melissa to my songwriting. My new album, to be recorded in January, will be dedicated to her for all her influence. I’m even drafting a song about her called (of course) “Melissa.” (!)
Why is it so important to get coaching?
Because I know I don’t know it all.
Because I know learning on my own takes time.
Because I know the best can show me shortcuts.
Because I know this is an investment in my growth.
Because I know once I delete limiting beliefs, I accelerate my success.
Because I know it’s the number one way to transform my life forever.
In every case when I sought out coaching, my skills made a quantum leap forward.
And this is why you need to consider my Miracles Coaching program.
The evidence is overwhelming that it works.
It doesn’t matter what you are trying to attract or achieve.
What matters is that you “get clear” of any limiting beliefs in the way of what you desire.
Coaching can help you clear your path.
With every person mentioned above, I found limiting beliefs in myself that I had to change.
I still remember Melissa Etheridge pointing out a belief she heard me say that I didn’t hear. A coach can be a mirror and relay back to you what you aren’t even aware you are saying.
I still remember working out with Frank Zane and him saying he listens to what people say as they exercise. Their self-talk, spoken out loud, reveals their limitations.
Again, coaching is powerful.
PS – I wrote about my coaching experience with singer-songwriter Melissa Etheridge right here on my blog. Get a sense of the power of it. Go see http://www.mrfire.com/law-of-
PPS – If you want coaching with *me* personally, consider a private mastermind. Details at http://www.MiraclesMastermind.